David Bowie 1969-02-02 London ,Clairville Grove ,David’s Bedroom ,Chelsea – The Beckenham Oddity – (CD).
01. Space Oddity.flac
02. Janine.flac
03. An Occasional Dream.flac
04. Conversation Piece.flac
05. Ching-A-Ling.flac
06. I’m Not Quite (Letter To Hermione).flac
07. Love Song.flac
08. When I’m Five.flac
09. Life Is A Circus.flac
Label : The Early Years – 02-CD 3318
Audio Source :
Lineage : Unknown
Taping Gear : Unknown
Taper: Unknown
Recording Location: Unknown
Total running time : 0:35:09
Sound Quality : Good. Equals record or radio/TV apart from a slight noise and some dullness.Artwork : Yes
A fascinating glimpse of the genesis of the Space Oddity album is afforded by a ten-song acoustic demo tape recorded by David and his Feathers partner John “Hutch” Hutchinson, probably in mid-April 1969. In addition to the ‘Space Oddity’ demo, the tape features early versions of ‘Janine’, ‘An Occasional Dream’, ‘Conversation Piece’, ‘Letter To Hermione’ (here called ‘I’m Not Quite’), and ‘Cygnet Committee’ (with very different lyrics and called ‘Lover To The Dawn’). There are also renditions of the Feathers staples ‘When I’m Five’, ‘Ching-a-Ling’, ‘Love Song’ and ‘Life Is A Circus’.
Exactly when and where this demo tape was recorded remains difficult to pinpoint. It was almost certainly after Kenneth Pitt’s meeting with Simon Hayes on 14 April, and the presence of Hutch means that it can’t have been a great deal later, for he bowed out and returned to Yorkshire the same month. It has been suggested that the demos were recorded on professional equipment at Mercury Records’ headquarters in Knightsbridge, but this seems highly unlikely considering Bowie’s apologies on the tape for the “very bad tape recorder and microphone” and for the noises coming from the piano teacher upstairs; the usual consensus is that the venue was his new flat in
Foxgrove Road, Beckenham, where he moved on 14 April.
In mid-May Pitt successfully negotiated a one-year contract with Simon Hayes whereby Bowie was to receive royalties and production
costs for a new album, while Mercury retained two one-year renewal options. The record would be distributed on the Mercury label in America, and its affiliate Philips in the UK.
– Nicholas Pegg: “The Complete David Bowie”
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